the third instalment of the apres vinyl series explores the indie disco dimensions of future classics 2 year old sunday afternoon session in sydney. when we commissioned gemma smith to produce four artworks for the series this angular and intense piece sat well with the spiky hot chip meets junior boys disco punk funk of melbourne 3 piece clubfeet. it also worked with adelaides sidwho, another promising newcomer whos recent 12inch on cage & aviarys the walls have ears imprint got rave reviews from horse meat disco, mock & toof, tim sweeney and optimo to name a few. millionaire is an early taster of the pop sensibilities of sids forthcoming solo album with future classic. sids also a member of the modular signed live disco act the swiss. chad and nathan took some time out from the future classic hq to turn in a remix of millionaire together with good friend bryan o callaghan who also happens to be head chef at the tilbury where aprÞs is held. bryan quickly became a firm friend of future classic after mudd and aeroplane were booked for sets at apres with bryan seeking us out, immediately impressing us with his unparalleled knowledge of rare disco and groove. last but definitely not least (since it made the a1) came pink frosts remix of evening star by another local sydney band todd sparrow. after a heavy vinyl digging session at redeye records,the stores vinyl buyer scott, handed nathan a cdr and the call was made then and there and we had our third apres release - an intentionally all australian installment!

a: dj ss & dubzero - this is the future: the track starts with a tense energizing build up, incorporating futuristic samples and sounds with a pulsing industrial feeling bass. the tempo builds up to a sharp climax and drops with force guaranteeing chaos on any dancefloor.
b: rollz - solid state: a new face at the formation records camp, rollz s debut track was hand picked by dj ss as a must for the album project. this track kicks off with a dark and eerie feel, building slowly to the chime of bells and echoing bass before dropping with intense punch that will take your breath away.
c: influx uk - stay on this channel: after a recent break from production influx uk returns on top form bringing with him the third track of the two-part release. stay on this channel has all the feel of previous influx smashers, a slow rhythmic snare guides the track as it builds with a jagged edge before dropping with shaking fluid samples and an earth moving bassline
d: generator & dj ss - killa: this track delivers exactly as its name promises. a melodic wobbling chord builds gradually to the sounds of a distant vocal sample, and intense climbing bass, which all combine and drop with sheer vengeance. expect to slay the masses when this tune is pulled out of the bag.

autodiscotheque return with a mighty release by one of their favourite maverick producers and djs danny berman. with releases on tirk, untracked, deep freeze and society, danny has made a big impression with his mixed up approach to production and djing. from the wonky house of the hot coins material released on tirk, to the more classically detroit outings under his red rackem moniker, danny is a music lover with an ear for the not so obvious and the left of centre musical territory.on this release which features both his musical personas simultaneously, the idea was to truly represent the difference between the red rackem and hot coins sounds on a single release, and to recreate an intense peak time feeling, but to do it from these two completely different scenes.place for me is detroit inspired heads down, cut up motown soul business, which pays homage to one of dannys favourite producers moodymann, and fits perfectly into that crossover space between slo-mo house and disco. chinese electro on the flip however, references that authentic early 80s new wave electro sound, and is influenced by yellow magic orchestra and recordings from new wave radio shows like belgiums liaison dangereuses

sebastien leger continues on a slightly more techie approach with another fantastic two tracker you could well see in the boxes of both eric prydz and adam beyer. sebatiens new sound has a fantastic cross genre appeal, with his super-funky cool grooves tight rolling percussion, and intense breaks. this multi-talented producer is really starting to flex his musical muscles. expect huge dj support and continued radio plays.

big with: eric morillo, groove armada, funk dvoid, jimpster, ante perry, dj hell, gregor tresher, karotte, martin landsky, michael reinboth, phonique, thomas schumacher, anthony collins, laurent garnier, zoo brazil, mijk van dijk, brothers vibe, danny tenaglia, plump djs, ...
welcome to the space-disco-electro-tech-housesongwriting world of bodymovin aka thomilla of turntablerocker and dj friction! continuing the intergalactic electronic extravaganza that is bodymovins self titled debut album, one of the duos hottest cuts from the acclaimed longer-player is now ready to hit the shelves complete with two very special remixes. first up, as if they really needed to prove their might, label bosses moonbootica rework >everybody< into an absolute stormerfor the clubs. taking off like rocket, this stellar remix uses the the catchy vocal refrain as its central pivot, careening around it with hot basslines, intense synth trip-outs and pure, unrivaled energy. simply unstoppable! then of course the original track is included as a reminder of its greatness.

xerrox vol. 2 undertakes an intense journey and affords the luxury to take its time. &#8233,,while xerrox vol. 1 (r-n 78) referred to the old world with its tradition deeply rooted in classical music, xerrox vol. 2 tries to access a new world . it works with samples that have been gathered and developed in the usa û the so-called new world û where the album also has almost completely been recorded.&#8233,,the dramatic and dynamic approach of xerrox vol. 1 on vol. 2 has been replaced by a structural density. instead of working with individual musical entities the new album rather develops an overall, linear aesthetic that refers to musical strategies of film music. hence there are no implicitly singular pieces, but open musical structures û a journey without a predetermined target.

after the success of their collaboration with paul thomas on last years festival anthem >arena<, mark knight and funkagenda join forces once again on one of the most eagerly anticipated tracks showcased at this years miami wmc.
>good times< is the feel good anthem of the summer comprising of a modest intro with a warbling bass line driving slowly through collecting sounds, before opening up into an edgy synth stab and finally the insanely catchy vocal hook >these are the good times<! the track drops back in like a speeding locomotive train going full steam ahead, with cleverly placed percussion, fx and siren sounds soaring to create an intense rhythm.
on the flip, >flauta magica< shows the diversity of these two acclaimed producers when they get in the studio together. taking a different route from the lead track and concentrating more on the groove, >flauta magica< chugs along nicely with an almost tribal percussive feel to it. the excellent chanting vox sample, reminiscent of the early house sound, keeps the groove rolling along into the drop. taking the lead from the tracks name, a whistling flute riff drops elevating the musical vibe to a new balearic level.

jaxson & david keno, both from berlin, join forces & one more time they underline the fact that combined strength is hardly to ignore..with releases on labels like kindisch or high freaks, they have already established their name in the scene. with these 3 track release we re proud to deliver our part to that summer . jaxson & david keno created an intense piece of deep and harmonic tech-house

nice price deal !!! rafale are julien henry (sampler, laptop and keyboards) and marc aumont (bass), and have been making music since 2006. rafale offers an intense live with violent beats and saturated basses. their live set, both nervous and dancefloor-oriented, is a successful marriage of club and rock, which flickers from blog house hits to synthetic choruses. this new ?drive? killer tune by rafale is backed by remixes by grum, arnaud rebotini (blackstrobe), and tez.

big big big. stumbling grooves matched up with a mean bass line and explosive kick, all mixed up with a very intense zitar that takes the track through massive peaks. this track will blow the dance floor at peak hour ... no chance you will be disappointed.

dave dk needs no introduction, since his debut moodmusic album “lights and colours” he s been busy travelling the world preaching his trademark electronic deep house sound and remixing florian kruse, tigerskin and seva k for labels baalsaal, global underground and dirt crew among other things. for the new moodmusic release dave packs 2 tracks from the album in new edits as well some major remix biz from ada (areal, irr) and russ gabriel (mobilee, ferox) remixing cinema paraiso was ada s choice, the epic floating, almost balearic feel to it fitted perfectly the fine hand of ada and her perfect production values. starting with a rough 303 bassline, building an intense but deep affair buidling into a hypnotic frenzy of old school acid and modern electronics ! from the feedback from the few selected djs who got their hands on this gem, ada s remix is allready in groove mag top-10 ! the b-side coimbra, a rocking house belter with neat sample editing and the dave dk bassline juggling between the low end and the ultra low sub. russ keeps much of the original intact, deepening the groove with his funk injected beats and some lush detroit influenced chord action like we know and love from him. as a bonus we include the original mix for those vinyl lovers out there !

adjustments features 4 tracks worth of classic millsian space techno. its not too pounding but still its pretty intense stuff and jeff lovers will certainly lap it up.

nice price deal !!! mr tim is back with some floor-friendly acid tracks (he surely hates it when we say its late 80 s chicago inspired.... but it sounds like the haydays of rawer jacking chicago tracks such as made by mike dearborn / armando). two dope tracks on a single-sided limited 12 with track one being the best like a tim track in a while: a pure, simple and a no-nonsens jack track. track 2 is chicago to the max. it maybe doesn t sound very like a tim... but it s 9 minutes of basic, pure and intense dancemusic by rotterdams finest. only 300 copies with handsigned labelart and no digital sales! so don t sleep on this one...

delusions hits the spot once again with number 3, this time highlighting the production skills of a certain zepp001. the seattle based disco obsessive has been leaking out high class edits over the years under a dizzying array of deliberately forgettable pseudonyms but feels the time is right to push his original tracks. who better then to make these beauties available for you discerning djs than delusions of grandeur. dont sleep is a dark, brooding groover with throbbing bass, cute cuica fills and intense strings that lalo schifrin would be proud of. a real heavy mood setter and as good an introduction to the sound of zepp001 as you re likely to need. next up we have the mighty revenge in for remix duties on dont sleep. the much hyped master of the edit keeps the vibe of the original well and truly in place but opts for an even more stripped back approach leaving all the space for crisp claps, slowly building strings and bowel wobbling bass. flip over for giraffe, a more upbeat affair where the filtered keys come to the fore and things steer in a hyped up deep house direction. show your luv...

alasdair roberts spoils album features alasdairs old hands from appendix out (tom crossley and gareth eggie) as well as free percussionist xtraordinaire alex nielson, noted baroque guitarist gordon ferries, emily maclaren, niko matti ahti (of finnish free pop duo kiila), and david mcguinness and alison mcgillivray (both of scotlands concerto caledonia), bringing a loose and lively mixture of drums, bass, piano, flute, glockenspiel, harpsichord, harmonium, viola, synthesizer, dulcimer, psaltery, hurdy gurdy, fiddle, and of course guitars and voices. spoils has a lot on deck, but its meted out evenly and with an intense energy, always in service of the songs, which are marked with some of alasdairs finest melodies. additionally, spoils ingratiates new compositions in a deeply personal manner with the world of traditional music that has sunk beyond the horizon for too many of us. it is a gift to these latter days that a man like roberts exists, to sing us back to our ancient home.

this record is a well thought selection, all tracks are different and individual. its the second release on the berlin based label nights in gale, run by patrick graeser and mike vamp. squalid is made for the big rooms. the big bass, the big bang, the big machine. a saw soothy bass is driving the thing forward. claps. hands. delay. squalid remix by tom dicicco - we are in a dark, intense space, filled with something creepy and sonic. this is very detailed and serious soundscaping music for some mind-searching moments on the floor. the 20 year old tom dicicco from northamptonshire dissects the track like a professional killer. squalid remix by david harrow - now take it away, bring in the step, into the basement. the dub veteran harrow brings all his sound experience into his mix and treats his synths like huskies. others would have made three mixes out of the ideas in this track. nights in gale is meant to support serious music. vinyl only, best quality. artists from berlin, england and the us and more to come. available on 300 limited vinyl copies.

the 4th reference of the swiss/argentinean label dilek records intends to express the love for the music with this deep and intense release. we are offering you a masterpiece made by mike wall. he managed to make a perfect connection between minimal techno, groovy beats and this incredible voice that drives you far away, to start your own journey and experience this excellent sound structure from the beginning till the end. he is a great rising artist, and also the label manager of orphik recordings. a name to remember and follow. the remixers are none of the less then our guide, alexi delano, miro pajic and the duo franco bianco & nacho benedetti.

rekluse, the new label from excentrics fergie and henry von, is continuing to gain momentum and followers very nicely indeed. after the umek >2nd to none< smash that just wont go away and the carl cox cained >propaganda< comes the >dude people ep< from one of france s most consistent electronic producers to date, kiko. international dj gigolos, afu, confused and datapunk are just some of the esteemed labels kiko has released on previously. his rekluse outing heads down the more accessible techno route with all 3 tracks sure to find their way into a wide variety of top jocks sets. the first 2 tracks are driving monsters, >dude people< with its continuously sinking bass line and >black dahlia< with its intense percussion arrangement. the ep is brought to a dramatic close with >such erotic< which has electronic anthem written all over it

william (theodore) burnett aka speculator started his own diy record label and came up with this stunning piece of vinyl.. two shit hot tracks on a split release from $tinkworx and kinoeye. what a killer 12! the sharkman brings us a deeep techno track with moody piano lines, drexciyan athmosphere and a shit load of depth. typical $tinky material that seems to go deeper and deeper over 10+ intense minutes. then.. we have the flip side by kinoeye (aka datahata) with a shockingly dirty techno house cut.. a deep dirty groove and repetitive vocals that pull you even deeper then where the a side ended. absolute killer tracks here on this nice obscure new imprint from brooklyn. we love it!!

after her intense its all about survival in 2007 for the oceans species sampler (deep explorer 008), heres the comeback of the lady blacktronika to deep explorer as an exclusive ep where lady b write, produce and even perform the vocals in one of the tracks with her personal style, dirty house under the influence of the motown soul. lady b is part of the cocaine collective, new talents in the underground scene like the dj and producer mattski who collaborates in one of the tracks of the ep . also featuring a special remix from dubbyman & above smoke.

sister label to markantonios analytic trail imprint, mkt is all about providing a channel for different concepts in techno music. looking forward in to the future of electronic music, mkt is a space for new sounds to develop, evolve and emerge.originally created as a home for markantonios experimental works mkt has developed into a chosen destination for fellow forward thinking techno artists. this latest ep sees bosnia mladen tomic (adult records) deliver a 4 track ep.tangas is a powerful, bass driven groove that brings the tension. opening up with a cleverly drawn out build of shuffling hats and jittery stabs the culmination is comes as the pressure drops and is joined by a heavy kick and pulsing bassline.blue avenue sees tomic throw a large slice of funk in to the tech melting pot to produce a firing, discofied stripped back groove. constructed of simple but well defined layers this is an unsung hero of a track that djs will find very useful. bubamera combines harmonic melody with driving tribal rhythms to create a truly distinctive piece. high on energy but subtle in its approach, this is peaktime tech house that skilfully combines musical elements with an intense cadence.black white man continues this unique sonic journey with a combination of industrial beats and funked up rhythms. the most uplifting of the tracks on the ep, this cut packs plenty of bounce and shimmering atmosphere into the mix.

smokestack is all about paolos darker side. intense, minimalist and moody, the game plan here is all about matching understated energy with a compelling hypnotic aura to create a powerful peak-time tech stormer. booming beats, abrasive bass-licks and a wigged out flickering riff create the required mood before explosions of harmonic echoing keys provide the moment in the break. swiss producer michal ho, best known for his work with berlins tuning spork label has been selected to provide the rework

6 track mini-album - each track can function as a hedonists anthem in its own right, optimised for maximum dancefloor impact after evolving gradually in the context of fakes intense live club set.

this new drumcode release on adam beyers world beating label comes from another rising techno star - this time from italy - joseph capriati. the 2 tracks are both killer in their own right with the a side - sidechains building gracefully with its intense drums and cool reverberated breaks. on the flip side - kontrol room hits hard with its menacing groove again building and dropping in and out of highly effective breaks. a storming 2 tracker not to be missed

selected advent deal. - this debut release on new imprint numbercult is sure to make waves, pulling no punches with this weighty production. the series hits off with a anonymous artist (which most likely is not making his debut here, judging on the production skills). the a side kicks off landlines, 11 minutes of driving deepness, an overdriven stabbing subbass and solid percussion give the track monstrous bottom end with the hypnotic lead line almost vanishing in the vastness. this could be descriped as a kind of mid 90s techno... the rawer side of basic channel or fcom. an absolute sexy monster track that keeps pushing forward and remains its funky almost dubby drive. strong! from the b side clonic is a driving mills esque x 103 ish assault, layering discordant acid lines to produce an intense and relentless track, broken only once with soaring beautiful strings. a side is essential! the b side only for the headstrong. a great start for this new label from glasgow releasing limited releases of high calibre deep techno from a dynamic collective of producers. a label grounded on the basics of techno with an open mind to the future. and what a great start. check!!!

big with radioslave, dubfire, joris voorn, loco dice, adam beyer.. with his energetic and intense house sound, full of swing, tribal rhythms & techy beats, alex is said to be probably the most promising of upcoming producers and djs in the scene. first pressing with full coverartwork

big with radioslave, dubfire, joris voorn, loco dice, adam beyer.. with his energetic and intense house sound, full of swing, tribal rhythms & techy beats, alex is said to be probably the most promising of upcoming producers and djs in the scene.

rize radical returns with the 2nd part of alton millers inner8 remix package (first part was on the clone x serie and sold out in the first week!). here the original version and the remixes of literon and steve azzara. inner8s original version is a generous offering with troubled synths, stunning keys and appeasing strings. steve azzaras re-rub of alton millers >inner8< is a sublimely deep offering that solders together spiritually aware detroit beats with emotion-gripped melodies and strings. this truly is a bouncy, joyful track that fuses electronica and sounds together with the help of bright house stabs and deep bassline. literons take on inner8 comes with razor sharp claps, one intense house stab, and deep dub bass. traditional house meets modern club tracks (think radioslave). a intens 10 minute work out with an arresting groove! super strong remix package

skylax records, the company focused on realeasing original obscure dance classic and everythingÆs that sounds fine to their ears.for our 13th release , we decided to bring you guys an amazing ep done by the masters of italo disco & nu disco mavericks, the fantastic serge santiago & hardrock striker. it is called genialissimo wich could be translated in italo french (if this langage exists) as great & awesome!!! they came to us with one of the most intense drummy tracks we ve heard in years, reminding the best of carl craig circa designer music.

bearweasel are london-based duo dean muhsin and louisa page, a pair who in less than a year have a string of singles and remixes for some of the best labels around including 8-bit, tsuba, supernature, perc trax and murmur. the >sorry for nothing ep< is build around two original recordings, >risk< and >many more< and also features a remix from moon harbours dan drastic. first out of the gate is the original of >risk<, a track built around a shuffling percussion led groove. the spacious arrangement, intense stabs and low-key bassline lend a depth and quality to this cut that make it truly sublime. simple, understated yet devastatingly effective. next up, dan drastic reworks >risk<, turning in a remix that stays true to the original whilst imprinting things with his own sound. the drums are toughened up and the vibe is a little more dubbed out, providing an alternative that sits perfectly alongside bearweasels primary production

>aurora< is a dubby rhythm track with a fantastic build up in dynamic. house influences are strong and capture a deep intense vibe . >sansula< is to a high degree made out of sounds that create a 3 dimensional sound and an organic and deep atmosphere

gez varley aka g-man delivered this track in 2001, made in his unique subtle pushing style, intense and floating at the same time. reinterpretations come from s.r.i., t.p. heckmann and stewart walker.

2001 album by outstanding producer exos from iceland, combining intense and relaxing moments of technoid minimalism.

pelle buys (error error) and a different jimi (egoexpress) show up with a rollicking, rattling drum loop, suggesting marching bands at carnaval and a horn that goes directly to your brain. intense stuff with a more minimal remix by david k

these tracks do live up to their names - they are intense technogrooves that float around and through you like water and air.

album sampler of the fred ventura classic cuts album release. two special tracks that have never been released before. a side is a sublime edit version by fabric resident dj craig richard of the i f track (ft fred ventura) i cut my heart out. craig made the track more suitable for modern club use, and he has been playing this edit version since months. he received so many reactions on the track of people who went total nuts (and some even cried when he played the intense and emotional song!). we thought this is the right moment to make it available for everyone. on the b side we have a slamming italo disco monster which fred produced together with ajello. super phat basslines (slightly reminding us of classic bobby orlando tracks) and typical italo disco synths. two completly different tracks both featuring the emotional vocals of fred ventura. timeless piece of dance music!

brilliant debut that takes us on a wild ride through light and dark, painted with an intense voice.

>was originally called <319 acid<, similar to 516 acid , but it was called 319 as i started this on march 19th 2007. after playing around with ideas, and effects, i had created a panning motion in the track which when listened to in headphones travels in a >counter clock< wise fashion. i was listening to a set of (dj) dixon and noticed how slow and groovy most of the set was, which influenced me to make a twisted, intense track that was in the same tempo range.< josh wink ! chirs liebing comes on board for the remix and keeps a lot of the key elements, but delivers a more in your face version

heavy, heavy analogue synths attack from the start and here the layers just keep building - stabs, pads, bass and a melodic string arrangement designed purely to heighten your senses. epic and intense

support by loco dice, marco carola, raresh, onur Özer, federico molinari, fabrizio maurizi, luna city express, reboot, mathias kaden, afrilounge, seuil…. martin swanstein aka martinez is remaining true to moon harbour. after his first fantastic ep >momomowha<, the high-flying producer, dj and labelhead comes along with two brilliant new tracks for the label. and once again martinez succeeds in capturing intense moments and expanding on them, but without losing impact. in >le circus< martinez arranges different vocal samples into a rhythmic collage which build into the backbone of funk in the track. its precise and growing breakdowns will undoubtedly provide euphoria on the dancefloor. >mundial< has a percussive and intricate start but quickly evolves into an easygoing and elegant house track, which creates its incredible deepness by focusing only on the essential. >mundial< is the kind of track which would signal early in the evening that the people in the club had most definitely come to the right place. 2009 the new moon harbour compilation >moon harbour inhouse vol.3< will be released, in which martinez will provide an exclusive track as well the dj-mix.

ltd uk techno 3 tracker

the debut >metalinvader< ep brings together contributions from big techno players grovskopa, troika, luka baumann & radial. four intense interpretations of the aftertaste sound, all of which will slam in the right club

this time metamorphic recordings is in full on boundary pushing mode with a new sound from dan curtin. techno always has been and always will be about taking risks and going where no one has gone before and this ep, facts is right there. modern techno that will work for djs playing the gamut of techno, tech house, house, minimal and more. vocalist jason byers from cleveland based rock band disengage worked side by side with curtin to add a powerful vocal touch to the intense musical journey presented here. to all you djs working hard to keep it real, to move forward, to advance our scene, and to have a voice of your own, this one is made for you!

an extremely tasty 4 tracker from the massively talented par grindvik. the a1 is a real killer with its rising synths and sledgehammer drums whereas the a2 is a perfect contrast with its slow intense minimal groove. the b1 again is a real floor burner with its driving groove and clever synth edits halfway. the record closes with a superb more minimal interpretation yet agin. drumcode again proves it is still one of the most cutting edge imprints around... limited backstock available

the truesoul imprint represents the somewhat soulful side of its owner - adam beyer. here, cari lekebusch takes up the challenge and produces two wonderful tracks. on the a side we are treated to a wonderful deep 808 driven groove with eerie pads, neat reverses and cool cowbells that creates a wonderful intensity. on the flip side again the deep groove is apparent with neat vocoded vocal samples and fat bass before there is a cool break and the main synth sound appears in the track to give it a seriously intense lift

the a side by hardcell and grindvik again has faultless production with its razor sharp drum intro before the pulsing lead sounds drop and the fat percussion edits envelope the track to create a truly intense feel. on the flip adam beyer delivers a truly awesome interpretation cleverly using the main parts but adding rich layers of atmospherics to create a very rich sounding deeper feel. this is a very, very serious release

big with: davide squillace, lee burridge, steve lawler, laurent garnier, ante perry,katotte,thomas schumacher, shinedoe..italys young odds label has been gathering a lot of support over the last few years with its string of quality tech inspired release featuring artists such as elia casetti orchestra, the dolphins, ajello, luke solomon and alex dolby. this time its the term of duo martin patino and enzo elia to step up with the release of their >metamorfosi di narciso ep<.enzo elias previous release for the likes of one louder berlin and mantra vibes have seen his standing as producer and dj grow at a rapid rate and teaming up with half pervvian partner martin patino.it seems the pair are determined to further make their mark with this outstanding ep of late nicht electronic club cuts.lead track >metamorfosi di narcisio< is a stripped minimal affair that draws you in from the opening bars.sparse and tight drums lay down the base for a slowly building intense track heavy aon percussion and full of a atmosphere despite its simple and spacey arrangement.

played by : karotte (cocoon / great stuff), sebo k (mobilee), tobi neumann (cocoon)... jackmates strikes again on phil e with this 3 track 12inch called >malawi dub< and delivers the perfect follow-up for >mont blanc< (phile2007). the main title >malawi dub< is full of rollin drum and percussion sounds merging to a intense piece of (oldschool)-techno… both titles on the flip >in flux< and >s…..out< are deeper in a way, with charming harmonies and tricky grooves…this is a preview for jackmates upcoming album in 2009. thanks for purchasing a real copy!

the robert owens vocals are so intense and emotional that it gives you goosebumps all over!. maybe even stronger is the track itself. a one of a kind track with a totally unique groove and a bass line not coming from this world. the dx sound that makes the track so powerful sounds like some kind of mutant machine that is going to get you and eat you. and the sublime combination with the robert owens vocals makes this the high light in the history of house music. the original version has been released on larry heards own alleviated label (1987!) and the bootleg instumental was released on r&s.